We could say that every portrait is to a certain extent interactive, in the sense that it easily creates an emotional bond with its viewers triggering their imagination or memory. However, the experience of physically interacting with an animated media representation of oneself, or other people that exist or existed in a different space and time is yet recent, and its impact is only starting to be studied. This kind of experience, present in literature in works such as The Invention of Morel, by Adolfo Bioy Casares is what the project Frontera v.2 delivers.